![]() She’s self-aware and funny, never letting an overly serious attitude creep into her language. Instead, she’s the conductor, letting all the current flow through her and directing it towards the audience.ĭespite these records not necessarily being her favourite, it becomes clear how much they mean to her when she begins to describe them. However dense or open the tracks are, Fohr never sounds overwhelmed by the sheer power of her work. ![]() A master of contrast, Fohr is equally adept at plumbing the depths of darkness as she is soaring to uplifting heights.įohr recently released her latest LP, -io, a trippy mix of ambient, electronica, and experimental noises that makes for an alternately mediative and combative listening experience. ![]() There is always beauty to be found, whether it’s in pizzicato string plucks or warm acoustic guitar strums. Her deep contralto voice brings shades of goth into her work, but it’s always balanced out with waves of synths or lilting melodies. This might sound like a heavy introduction to a sad story, but I promise you it isn’t.”įor well over a decade, Fohr has been combining experimental electronic-based music with cerebral art. “I’ve decided to list my album picks chronologically in the order in which I discovered them. “It will come as no surprise that the records that mean the most to me are usually paired with a biographical situation that has embedded its imprint on me,” Fohr continues. ![]()
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